Man with a Movie Camera
Dziga Vertov’s groundbreaking portrayal of Soviet Russia didn’t just define a historical period. It created an entire theory of film.
Dziga Vertov
Film Analysis
It is largely about film techniques and the processes required in making one.
Grant Tracey Review – Man with a Movie Camera
Vertov was a working-class artist who desired to link workers with machines.
Roger Ebert Review – Man With a Movie Camera
“Man With a Movie Camera” is fascinating for many better reasons
The Man With the Movie Camera (KINOfiles Film Companions)
An important reference as an influence on filmmakers
The Men with the Movie Camera: The Poetics of Visual Style in Soviet Avant-Garde Cinema of the 1920s
The Poetics of Visual Style in Soviet Avant-Garde Cinema of the 1920s
Constructivism in Film
A Cinematic Analysis: The Man with the Movie Camera
Saluting the Supreme Soviet Filmmaker, Dziga Vertov
The greatest red documentary filmmaker of the 1920s
Ideology at the Crossroads
We affirm the future of cinema by rejecting its present
Man With a Movie Camera review – pure cinema, still unparalleled
Vertov’s 1929 masterpiece celebrates the infinite possibilities of film
Why Man with a Movie Camera is the one film you should watch this week- video review
Vertov was the punk rock filmmaker of his day
Man With A Movie Camera Poster
“Chelovek s kino-apparatom” (original title)